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Einschreibung in die Entwurfsklassen des D-ARCH

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Details Entwurfsprogramm – Herbst Semester 2022

 

 

 

Angaben zur Professur

 

 

Lehrstuhl 

Professur F. Persyn

 

 

Typ 

Professur für Architektur und Städtebau

 

 

Standort 

ONA

 

 

Webseite 

www.persyn.arch.ethz.ch

 

 

Assistierende 

Ellena Ehrl, Michiel Van Iersel, Ina Valkanova

 

 

Kontakt E-Mail 

ehrl@arch.ethz.ch

 

 

 

 

Angaben zur Entwurfsklasse

 

 

Typ 

Entwurf V-IX

 

 

Thema 

Studio Plovdiv – Smooth Operators

 

 

Beschreibung
des Entwurfs-programmes 

Our next design studio is situated in one of the most explosive tension fields of our time: the complicated co-existence of global spaces of production in places where local communities live. We will look at the development of a special economic zone in the periphery of Plovdiv, the second largest city in Bulgaria. Referred to by some as an example of an ‘human exclusion zone’, numerous factory workers defy this dystopian description by spending a large part of their lives inside of ‘the zone’. We would like to invite you to engage with this extreme environment. The studio draws on the research of Ina Valkanova, an architect and doctoral fellow of the I-LUS program at ETH who is originally from Bulgaria and has been studying and actively engaging with the factories and workers that together form Trakiya economic zone (TEZ). TEZ and other special economic zones are smooth service landscapes, mainly driven by capital accumulation and speculation processes, designed to provide global markets with products. Ina’s study looks into the way this particular economic zone in Plovdiv developed from a cherry processing plant into the biggest investment project of the country hosting a wide variety of global manufacturing companies. She is in the process of mapping the resulting socio-urban transformations and will identify opportunities for small and meaningful actions that can help change TEZ from a site of extraction that fuels a global supply chain into a place that adds value to the local context. Starting from Ina’s research, and building on the intimate relationships she established through her engagement, we will develop prototypes of spatial and strategic ideas and interventions that respond to the urgencies of the TEZ community, from the plant manager to the factory worker. Before visiting Plovdiv, we will start the studio with an intense period of prototyping. We will use our own studio space and the Fokushalle in ONA - itself a former factory building - as our production site. Using various design methods and artistic practices, from installations to performances, we will quickly develop a deep and embodied understanding of the physical (labor) conditions we will encounter in the factories in Plovdiv and similar sites across the world. Focusing on two specific factories, one making rear lights and the other producing steering shafts for a.o. Mercedes-Benz and BMW, we will see how global forces shape local conditions. Together we will start narrating and designing a different reading of these secluded and highly secretive spaces. We will have direct access to the buildings and the workers, and will be able to work, eat and relax on site and get to know some of the faces and voices of those who often remain hidden behind the facade of the typical white boxes in an inhospitable environment. Along the way we will be joined by various experts who will both enhance and question our newly gained insights, pushing you to (re-)position yourself vis-à-vis your own convictions. Dealing with such contested environments, and getting unprecedented access to them, comes with a responsibility: your engagement with the studio, and with sites of production in Plovdiv and globally, should ideally result in a convincing re-definition, not only of what a factory space could be(come), but also how design(ers) can help re-imagine factories as places for humans and others alike.

 

 

Thematische und methodische Schwerpunkte 

Entwurf, Staedtebau, Landschaftsarchitektur, Performance

 

 

Lernziele 

Collaborating with a multitude of actors from different (professional) backgrounds. Working across scales between local urgencies and global developments. Creating specific spatial qualities in generic environments. Identifying physical and intangible borders and boundaries that define space. Developing your ability to improvise and adjust to a dynamic environment. Communicating complex ideas through a performative approach to architecture. Documenting a non-linear creative process through a mix of media. Understanding and exploring your senses to design and facilitate dialogues. Being a host and creating a welcoming environment for a wide variety of people. Grading criteria: 1 Clarity and Independence of Position 2 Relevance regarding the case 3 Depth of engagement 4 Representation 5 Design in Dialogue 6 Mutual Collaboration 7 Personal Development

 

 

LV-Nr. des Entwurfs 

--

 

 

Zusätzliche integrierte Disziplin(en) 

Planning

 

 

Unterrichts-sprache 

English

 

 

Arbeitsweise 

Einzel- und Gruppenarbeit, davon 3 bis 4 Wochen Gruppenarbeit

 

 

Daten Zwischenkritiken 

Oct. 18/19, Nov. 22

 

 

Datum Schlusskritik 

Dec. 20

 

 

Einführungs-veranstaltung 

Sep. 20, 10:00h, ONA Fokushalle E7

 

 

Zusätzliche Kosten 

CHF 0 (Schätzung, ohne allfällige Seminarwochenkosten)

 

 

Verfügbare Plätze 

24

 

 

Plakat des Entwurfs-programmes 

Plakat ansehen (PDF Datei)

 

 

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